Abstract
Many participants in the music industry consider unauthorized downloading of music files over the Internet to be “theft” of their “property.” Many Internet users who exchange music files reject that characterization. Prompted by this dispute, this Article explores how those who create and distribute music first came to look upon music as their property and when in Western history the law first supported this view. By analyzing the economic and legal structures governing musicmaking in Western Europe from the classical period in Greece through the Renaissance, the Article shows that the law first granted some exclusive rights in the Middle Ages, when musicians’ guilds enjoyed the exclusive right to perform music in medieval cities, but that the concept of music as a form of property was not established until early music publishers received exclusive rights in their publications during the Renaissance. The Article concludes with thoughts about how this history should influence the way we address the current controversy concerning uses of music on the Internet.
Disciplines
Computer Law | Entertainment, Arts, and Sports Law | Intellectual Property Law | Jurisprudence | Law and Society | Legal History | Science and Technology Law
Date of this Version
September 2003
Recommended Citation
Carroll, Michael W., "Whose Music Is It Anyway?: How We Came To View Musical Expression As A Form Of Property -- Part I" (2003). Working Paper Series. 2.
https://digitalcommons.law.villanova.edu/wps/art2
Included in
Computer Law Commons, Entertainment, Arts, and Sports Law Commons, Intellectual Property Law Commons, Jurisprudence Commons, Law and Society Commons, Legal History Commons, Science and Technology Law Commons